It gets worse,
I showed it all to one of my best friends. Next I decided to make my next
speech a poetry reading. This meant I had to breeze through both
collections and select a group of them for the reading. As part of this
project, I decided I had to create a narrative to sew them all together for the reading.
I vacillated among a handful of choices to include in the reading,
drafted three versions and finally edited it down so I could make the eight-minute
limit I was given for the reading. The four selected poems became like
pets, your little friends that follow you around in your head.
Well,
once you get that committed, you wind up reading them aloud, getting to know
the little buggers, where they speak softly, where you must pause to get it
right, where your own speech must keep pace with the rapid fire cadence of their
stories. It becomes all about you then. It's how this piece or that
one strikes you and invades your thoughts.
So, here
I am. Sitting with the finished product, knowing I have to read it with
just the right touch to convey these pieces in the way they have affected me.
So, what do I have to do? I have to read them aloud, again and
again. I know I read the entire piece with its four poems out loud at
least twenty times. Six or more times as I was making the final selections,
editing in this piece or that. Nine the night before and five the morning
I presented.
When it
was over, I thought it would go away.
The next morning I awoke from a long dream-filled sleep, full of images
that had nothing to do with the poetry I had spent so much time with. There were soccer games morphing into rugby
games, long falls resulting in only miraculously minor injuries, missed rides, long walks, strangers encountered, making connections with
me for no apparent reason—you know, dreams.
I am not a regular dreamer. It is
rare that I arise with a recollection of even a fragment of a dream, much less
a whole collection. I think it’s related
to the poetry overload.
Billy
Collins, the former Poet Laureate of the United States, says that the trouble
with poetry is that it encourages the writing of more poetry, like guppies in
the feeding tank, more bunnies spilled from the mother rabbit onto the lawn
He goes on to say that poetry will encourage you to break into the
poems of others with a flashlight and a ski mask to steal their phrases.
He's right. It happened to me as part of this poetry hangover.
I scratched this one out last night--
My ear longs to hear
the hum of your velvet voice
absent now for days.
the hum of your velvet voice
absent now for days.
I
shamelessly stole the hum of your velvet voice from Walt Whitman.
This is the second poem I found myself writing, but I think I have it
under control, thank heaven. But be careful out there.
No comments:
Post a Comment